The Devil Among Us In The Likely Of Men

handsUnited we stand, divided we fall.

Racial discrimination, violence and crime, are some of the problems that have divided, caused havoc and brought unrest in our society today, yet many don’t learn  from the painful experience, destruction and the mistakes they do.

No body wants to be called a racist. “The black man say it’s the white man, The white man say it’s the black man, Indians say it’s the coloureds, Coloureds say it’s everyone…….” Sings Lucky Dube, the great South African reggae legend.

In one of the shops in Antwerp, an African dog lover,went to buy a dog’s chain. After payment, as soon as he stepped outside, a white man entering the same shop, saw him with the chain. He asked the African if he is going to use the chain on his neck. What a provocation?  I quickly stepped in to hold the angry African, when the scene nearly turned to bloodshed.

That is how life goes sometimes. The poor African is not looking for trouble but the devil is knocking on his door to give him one. The white man knows very well that such question could bring unexpected problems, yet he ignored and did what his heart wants. And if you called him a racist, he will tell you “I’m not.”

At the just concluded Flemish Journalist Association end of year’s press conference on December 5, 2015, in Antwerp, I witnessed something more shocking. Among all the Belgian journalists, were only two Africans. A white male came to the other African, a radio journalist and asked him if he knows what monkeys eat.

“I don’t know.” He answered. “Then follow me.” Said the Belgian journalist. The radio journalist followed him, without knowing whether it was a joke, game or racial discrimination.

To his utmost surpise, he was taken to table with a bowl of fruits, including banana. He just smiled and left the Belgian journalist standing by the table. Why should something like that happen among a group of journalists in the same association? This is an insult not intelligence.

Many times the black man is seen as a criminal in the society, because of the colour of his skin, but crime doesn’t know colour. Both black and white commit crime. If you hate someone bcause of his colour, please just leave him alone. Don’t try to stir racial violence, because when trouble erupts, it affects everyone including children, our business and the society.

Color struck: America’s White Jesus Is A Global Export And false Product

Article By Wesley Muhammad, PhD.

What color was Jesus? Most American Christians—Black and White—would dismiss this question as both irrelevant and unanswerable as the Gospels fail to give us a physical description. The irony is that most of these same Americans in their heart of hearts are pretty confident any way that they know what color Jesus was. They attend churches with images of a tall, long haired, full bearded White man depicted in stained glass windows or painted on walls, and they return home to the same depictions framed in their living room or illustrating their family Bibles.

Further compounding the irony is the fact that America actually has an obsession with the (presumed) color of Christ and has exported her White Americanized Savior around the world, as recently documented by Edward J. Blum and Paul Harvey in their book, The Color of Christ: The Son of God and the Saga of Race in America (2012).

In fact, the world’s most popular and recognizable image of Christ is a distinctly 19th-20th century American creation. It is true that versions of the “White Christ” appear in European art as early as the 4th century of the Christian era, but these images coexisted with other, nonwhite representations throughout European history. The popularity of the cult of the Black Madonna and Black Christ throughout Europe is evidence of the fact that the European ‘White Christs’ never acquired the authority and authenticity that the White Christ now has globally. This Christ and his authority are American phenomena. As a predominantly Protestant nation Early America rejected the imaging of Christ that characterized European Catholicism.

By the mid-19th century, however, in response to American expansion, splintering during the Civil War and subsequent reconstructing, “Whiteness” took on a new significance and a newly- empowered “White Jesus” rose to prominence as the sanctifying symbol of a new national unity and power. As Blum and Harvey observe:

“By wrapping itself with the alleged form of Jesus, whiteness gave itself a holy face … With Jesus as white, Americans could feel that sacred whiteness stretched back in time thousands of years and forward in sacred space to heaven and the second coming … The white Jesus promised a white past, a white present, and a future of white glory.”

As America rose to superpower status in the 20th century she became the world’s leading producer and global exporter of White Jesus imagery through film, art, American business, and Christian missions, and has thereby defined the world’s view of the Son of God. This globally recognizable Jesus is a totally American product. Indeed, he is an American. Warner Sallman’s iconic image of Jesus called Head of Christ (1941) became the most widely reproduced piece of artwork in world history and its depiction the most recognizable face of Jesus in the world.

By the 1990’s it had been printed over 500 million times and achieved global iconic status. With smooth white skin, long, flowing blondish-brown hair, long beard and blue eyes, this Nordic Christ consciously disguised any hint of Jesus’s Semitic, oriental origin—and departed from the older European depictions. It both shaped and was shaped by emerging American ideas of whiteness. The beloved White Jesus of today’s world was Made in America.

What, then, did Jesus actually look like? Despite the absence of a detailed description of Jesus’s physical appearance in the Gospels (though John the Revelator saw the risen Christ apparently with wooly hair and black feet, Rev. 1:14-15), there are non-biblical evidences that actually allow us to visualize the Son of God from Nazareth.

Revelation 1:14-15 – King James Version (KJV)

14) His head and his hairs were white like wool, as white as snow; and his eyes were as a flame of fire;

15) And his feet like unto fine brass, as if they burned in a furnace; and his voice as the sound of many waters.

The first century Jewish writer Josephus (37-100 AD) penned the earliest non-biblical testimony of Jesus. He reportedly had access to official Roman records on which he based his information and in his work Halosis or the “Capture (of Jerusalem),” written around 72 A.D., Josephus discussed “the human form of Jesus and his wonderful works.” Unfortunately his texts have passed through Christian hands which altered them, removing offensive material. Fortunately, however, Biblical scholar Robert Eisler in a classic 1931 study of Josephus’ Testimony was able to reconstruct the unaltered testimony based on a newly-discovered Old Russian translation that preserved the original Greek text. According to Eisler’s reconstruction, the oldest non-Biblical description of Jesus read as follows:

“At that time also there appeared a certain man of magic power … if it be meet to call him a man, [whose name is Jesus], whom [certain] Greeks call a son of [a] God, but his disciples [call] the true prophet … he was a man of simple appearance, mature age, black-skinned (melagchrous), short growth, three cubits tall, hunchbacked, prognathous (lit. ‘with a long face’ [macroprosopos]), a long nose, eyebrows meeting above the nose … with scanty [curly] hair, but having a line in the middle of the head after the fashion of the Nazaraeans, with an undeveloped beard.”

This short, black-skinned, mature, hunchbacked Jesus with a unibrow, short curly hair and undeveloped beard bears no resemblance to the Jesus Christ taken for granted today by most of the Christian world: the tall, long haired, long bearded, white-skinned and blue eyed Son of God. Yet, this earliest textual record matches well the earliest iconographic evidence.

The earliest visual depiction of Jesus is a painting found in 1921 on a wall of the baptismal chamber of the house-church at Dura Europos, Syria and dated around 235 A.D. The Jesus that is “Healing the Paralytic Man” (Mark 2:1-12) is short and dark-skinned with a small curly afro – see below.

This description has now been supported by the new science of forensic anthropology. In 2002 British forensic scientists and Israeli archaeologists reconstructed what they believe is the most accurate image of Jesus based off of data obtained from the multi-disciplinary approach. In December 2002 Popular Science Magazine published a cover story on the findings which confirm that Jesus would have been short, around 5”1’, hair “short with tight curls,” a weather-beaten face “which would have made him appear older,” dark eyes and complexion: “he probably looked a great deal more like a dark-skinned Semite than Westerners are used to seeing,” they concluded. The textual, visual, and scientific evidence agrees, then: Jesus likely was a short, dark-skinned Semite with short curly hair and dark eyes.

Colossians 1:15 describes Christ as the “image of the unseen God” and in the Gospel of John (12:45; 14:9) Jesus declares that whoever sees him has seen God. What Jesus “looks like” then is not irrelevant as it is in some way a pointer to God Himself.